James Reid-Cunningham is a bookbinder and conservator in private practice in Cambridge, MA. He studied history and art history at Johns Hopkins University and Tufts University before beginning his career in conservation at Harvard University. He studied bookbinding with Mark Esser at the North Bennet Street School in Boston. Following twelve years as the conservator of the Graduate School of Design at Harvard University, in 2003 he was named chief conservator of the Boston Athenaeum, a private membership library founded in 1807. After two years as associate director for digital programs and preservation at the Athenaeum, he served as deputy director from 2013-2015.
He was the adjunct lecturer in book conservation in the graduate art conservation department at Buffalo State College (SUNY) from 2009 to 2013, and has conserved books from the libraries of George Washington and Benjamin Franklin. In 2006, he received the Distinguished Alumni Award from the North Bennet Street School. He served as the President of the Guild of Book Workers from 2006 to 2010.
James Reid-Cunningham is a curent Professional Associate of the American Institute for Conservation of Historic and Artistic Works.
Recent lectures and publications:
“Artistic Bookbinding in the Twenty-First Century,” Yale Center for British Art, New Haven, CT, June 16, 2016
“Enigmatic Devices: the Art of Contemporary Bookbinding,” in Elisabeth R. Fairman, The Poet of Them All: William Shakespeare and Miniature Designer Bindings from the Collection of Neale and Margaret Albert, (New Haven, CT.: Yale Center for British Art), 2016, p. 26-54
“The Art of Contemporary Bookbinding,” Grolier Club, New York, NY, March 23, 2016
“Inherent Vice: Five Decades of Book Conservation,” Technology & Conservation (forthcoming 2016)
“Miniature Books from the Collection of the Boston Athenaeum,” Miniature Book Society Conclave, Boston, August 16, 2014
"Leather Rebacking," Seminar in Standards of Excellence in Hand Bookbinding, Guild of Book Workers, Washington, D.C., October 25, 2013
"Inherent Vice," lecture at the Boston Athenaeum, May 29, 2013
“The Long, Happy Life of the Book," UnBound: Speculations on the Future of the Book, Massachusetts Institute of Technology, May 4, 2012
"Roll to Codex to Kindle: Books and Libraries in the Age of Digitization," lecture at the Boston Athenaeum, February 7, 2012
“Eye, Hand, Tool: The Collision of Art, Craft and Conservation in Contemporary Book Art,” Miniature Book News, no. 142 (86), March 2011, p. 11-17
“The Book Protector: a Novel Conservation Innovation of the 1960s”, (with Rebecca Smyrl), Guild of Book Workers Newsletter, February 2011
"Surface Gilding," The Bonefolder, vol. 6, no. 1, 2009
"Pierced Vellum Bindings," Guild of Book Workers blog.
Heroic Works, Designer Bookbinders Exhibition
The Poet of Them All, Yale Center for British Art, New Haven, CT, June 23, 2016 – August 11 2016
Body of Evidence, UNISA Art Gallery, University of South Africa, Pretoria, South Africa, April 9 – April 22, 2016
Brush Up Your Shakespeare: Miniature Designer Bindings, Grolier Club, New York, NY, March 23, 2015 – May 28, 2016
7th DeGoyler Triennial Exhibition and Competition for American Bookbinding, Bridwell Library, Dallas, TX 2015
Liverpool Artists’ Book Exhibition, Liverpool Central Library, June-July 2014
Fluxjob, Minnesota Center for Book Arts February 7, 2014 to July 6, 2014
5th international artist book exhibition, King St. Stephen Museum, Budapest, May-October 2013
n addition to his conservation work, he is also the creator of design bindings and book objects that explore traditional bookbinding structures in conjunction with modern materials such as rubber, vinyl, tyvek and Formica. He has exhibited his books nationally and internationally.
He is the proprietor of Hematite Press and Wages of Fear, small presses that publishes illustrated limited editions of modern texts, with each copy in an original design binding.
He has taught bookbinding and conservation workshops at many venues including:
Paper and Book Intensive